I've spent the last couple of days trying to get info on Italian futurism and guys like Fillippo Marinetti and their influence on machine/art culture in Italy and how it fuelled contempt for classical music, literature and the visual arts in the first few decades of the 20th century.
This, after reading a brilliant article in Harper's magazine called "Quitting the Paint Factory", by Mark Slouca. Here's an excerpt--can't link because it's not available online. November issue.
--About Bush clearing brush from his property in Crawford.
"This was brush clearing as a statement, a gesture of impatience. It captured the man, his disdain for the inner life, for the virtues of slowness and contemplation. This was movement as an answer to all those equivocating intellectuals and Gallic ponticators who whoud rather talk than do, think than act. Who could always be counted on to complicate what was simple with long winded discussions of comlexity and consequences. Who were weak."
Now, who does this sound like? A quotation from Marinetti, shaper of Italian futurism:
The new man would communicate by "brutally destroying the syntax of his speech. He wastes no time in building sentences. Punctuation and the right adjectives will mean nothing to him. He will despise subtleties and nuances of language". All of his thinking, moreover, would be marked by a "dread of slowness, pettiness, analysis and detailed explanations. Love of speed, abbreviation, and the summary. "Quick, give me the whole thing in two words!"
This article is fantastic social commentary and illuminates something very interesting. It details the flattening of speech, for one. It's not just Bush, but he's the exaggeration that illuminates the trend. Quick, how many people under 40 do you know who speak in a robot like monotone, and with great speed?
The Italian futurists had a hand in shaping the future and played a very strong role in supporting Mussolini's fascism, (by idolizing the purity, effectiveness and annihilating aspects of brute force ), though most of their own artistic achievements lost all cache in the decades after the war. They did a better job of actually predicting our times than anything. In today's high tech world, the speed and immediacy of computers, together with an ignorance of history and a collectively shortened attention span has produced an excellent petrie dish for the same sort of rise of fascism.
There isn't a lot about Italian futurism online. But if you google "Micheal Ledeen, futurism" and get onto the "Kos" site, and then hit "cache"- you'll find some interesting info.
Thoughts anyone?